We define others based on the image we have of ourselves, in other words, by opposition to what we are or think we are. This is the theory advocated in sociological studies that seek to examine the deepest aspects of a changing society, ever more heterogeneous and complex. This monograph is intended as a meeting point for specialists from European universities, giving them a platform to reflect on aesthetics and alterity through a series of studies on literary works in the Mediterranean context. The chapters contained in this monograph analyse a number of theoretical issues in order to delve into the aspects listed above, also taking into account the diversity of artistic representations, whether literary, audiovisual or in the plastic arts.
Absolute alterity in the French Enlightenment: Anne-Marie Du Bocage and her "Colombiade ou la foi portée au Nouveau Monde" (1756) in dialogue with Fontenelle and Voltaire
págs. 13-26
The first stages of Concha Lagos’ life: An interpretation that considers the circumstances in Constancia de la Mora’s "Doble esplendor". Similarities and differences
págs. 27-40
Art, literature and music: The case of "Pintura musicada. Antoni Miró" (2018)
págs. 41-55
págs. 57-69
Alterity with a woman's voice in Victor Labrado's non-fiction novels: coarse, lively testimonies of hard times
págs. 71-80
págs. 81-92
Alterity and uprooting in the autobiographical experiences of exile of Mercè Rodoreda and Anna Murià
págs. 93-106
págs. 107-116
"Because I know you, stranger, I can call you sister": Representations of alterity in La germana, l'estrangera, by Maria-Mercè Marçal
págs. 117-126
págs. 127-139
Writing about the margins, writing from the margins: the dramaturgy of Helena Tornero
págs. 141-156
Writing on the edge between the self and the other: identity and alterity in poets from the 2010s
págs. 157-165
Liana Millu, Natalia Ginzburg and Marisa Madieri: three models of excellent discourse in non-cannonical narratives from 20th century italian literature
págs. 167-177
Bad Bunny and Bakhtin: the tactical pluriverse of Latin trap
págs. 179-192
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