Resumen de Faust secondo La Fura dels Baus: teatro, opera, cinema
The article focuses on the Catalan theatre group La Fura dels Baus’s workson the myth of Faust. The analysis is based on the drama F@ust versió 3.0 (1998), thefree adaptation of Berlioz’s La damnació de Faust (1999), the cyber show Faust Shadow(1999), the movie Fausto 5.0 (2001) and the opera staging of Gounod’s Faust (2014). Inits interpretations of the myth, the group recreates it in different artistic dimensions:drama, cyber theatre, lyric opera, cinema. Nevertheless, the study of these productionsdemonstrates that all of them share some common basic elements: the multifacetedpersonality of the protagonist, his fragmented perception of himself and reality, apostmodern vision of the Self and life. At the same time, La Fura deepens its investiga-tion on theatre/performance and technology, reaching impressive and groundbreakingresults
